lord of the isles four-track “infras” ep, on the barcelona imprint lone romantic, demonstrates macdonald’s continued mastery of tone and timbre, mood and groove. the title track kicks off by intertwining stringed synthtopia with an acidic staccato grounded in a rich low-end pulse. “w5 alpha” continues the all-enveloping warmth of “infras” base layer with a deliciously disparate palate of sounds, driven by a celestial arpeggio and a dusty collage of breaks. the b-side sets the listener loose in a garden of synthetic vines that pierce the long-decay smothering of bass with “q-bit”, a track that maintains equal kinship with the bouncing exploration of a dance floor as with the cool tones and discrete resolutions of an henri rousseau painting. “three times eleven” reads as a tribute to macdonald’s early fascination with john carpenter and vangelis soundtracks, combining emotive synth arpeggios and cyborg vocal washes in a fly-by depiction of an eerie and beautiful sonic landscape.

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

australia based artist inkswel is widely known for his funk infused dance music that incorporates ingenious sample work and memorable vocal cuts. for the ninth installment of the pulp series the edible pyramid ep is a journey through the mind of the australian artist. the package includes a melancholic remix by no one else than long time champion of vinyl and red motorbike label boss eddie c.

volume 4 -sound of the summer ep - from tropical disco edits crew brings in the summertime with 4 expertly crafted cuts, each perfectly tailored for the discerning disco dance floor. tropical disco edits are pleased to present their latest member of the family, moodena who premieres on the label with his summer groove -strawberry jam- a jazzy disco fusion with tinges of george benson, sure to sweeten up any dance floor. tropical disco edits boss sartorial comes in with two jazz funk rollers in -feel it- and -electric lane-, with both tracks having his signature sound that just makes you wont to shake your booty! finally, -got you the floor- sees simon kennedy team up with sartorial to produce a classic groovin tropical disco track - a real favourite with in the tropical disco family! dj support: eli soul clap, aaron razor n tape, chez damier, marshall jefferson, faze action, dj spen, get down edits

celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites. this limited edition vinyl handpicks four of the highlight tracks from label boss mark knight, format:b, dj pp, danny howard and weiss, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno.

new imprint for music lovers. deep grooves for minimal dance floors. vinyl only

mr. eagles & butterflies got no others than mano le tough and solomun to remix his memorable last dance. furthermore, these two mixes come on a very specially designed colored vinyl.

another of vakula s editions. there s no point explaining just listen and dance.

after a couple of sparking, floor-oriented releases by uk luminary henry wu and head honcho pablo valentino, mcde recordings continues its explorations of dance music spectrum with a brand new offering, right on time for the summer. . now batting is nomadic beatsmith hugo lx, who develops a new chapter in his multi-faceted discography with this 5 track opus, ranging from classic house to disco flavored jams, detouring through the ambiant and jazz fields, always with a certain eastern vibe to it. with great help from his regular contributors on bass, keys and horns, he delivers a soundscape that aims to be vibrant, powerful, yet sensual and most of all, prove to be timeless

fractions eschew biographical identity in their debut release for berlin s fleisch records. a potent mix of ebm, techno, breakbeat, electro, acid and horror- soundtrack provides only a title, control , s&m leaning artwork that seems to reference dali s in voluptas mors and a one-line manifesto: make dead dance.

a1: david goldberg revealed his exceptional talent releasing an extraordinaire debut ep on svs records. “m4l-uv” is a euphoric breakbeat track that won’t fail to make you dance.
a2: kit curse made his mark within the dnb scene during the last years having released on labels like cyclone, onset audio or shadowforces. “weird solace master” is a broken ritual that reveals the producers experimental side.
b1: “zezbo version” by skee mask is a superb dnb trip leading you through an industrial shadow world. the producer upholds his reputation as an exceptional artist all along the way.
b2: top shotta runs the uk bass orientated label ruffhouse. “m-performance riddim” somehow sounds like a race and a fight both at the same time.
b3: the style of bean is a postmodern blend of ambient, idm and dubstep. “tears” showcases this eclecticism within just three minutes.

pendulum ist eine australisch-britische band, die pumpende drum & bass und electro-beats mit treibenden rock-elementen verbindet. ihr hit-album »immersion« von 2010 chartete auf # 1 in uk und markierte den weltweiten durchbruch für die band. neben dj-sets und keyboards benutzen pendulum auch traditionelle instrumente einer rockband, wie schlagzeug, e-gitarre und e-bass. mit »the reworks« liegt nun das neue album von pendulum vor, welches dance-remixe ihrer bekanntesten tracks beinhaltet. mit dabei mixe von skrillex, moby, devin townsend, noisia u.v.a.

veteran french producer maelstrom joins the ce crew with 3 tracks of high quality dance floor electro including a remix from ce head sync 24.

the next release on crosstown rebels sees made by pete come together once again with vocalist jem cooke. returning to damian lazarus’ impressive imprint, made by pete invites diynamic label boss solomun and gruuv founders audiojack to take on remix duties. the original cut of so long opens up the ep. you are at once immersed in its trance-inducing elements, intensified by cooke’s powerfully sensual vocals. solomun shapes the title track into a grittier, industrial version whilst audiojack’s leans on the more percussive side, with ambient sounds and a prominent vocal hook. closing the ep is modify saturn, a track graced by tribal drums that beckon you to succumb to the groove. made by pete has been carving a name for himself in the dance music scene over the past thirteen years. he’s had releases on respected labels such as dftd, crosstown rebels and kerri chandler’s madtech records. his music has been supported by some of the scene’s most respected taste-makers from pete tong to joris voorn and eats everything to groove armada. jem cooke has lent her stunning vocal talent to some major musical players including cher, zero 7, kate simko, martin garrix and hot since 82.

biotic is our first release on allfeelings music, a label focused on emotive dance music. all releases will be available exclusively on vinyl. af01 is the first self release from london based dj and producer allfeelings. this is a 2 track dj tool release very reminiscent of detroit techno. you can hear crisp and warm sounds alongside jazz and funk influenced rhythms. the a side soundtracks a big city during rush hour while the b side pulls you in with deep synths and percussion. this release has the support from mark broom.
300 copies / vinyl only

mint condition - a reissue label focused on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years!

queeste emerges with the nocturnal sounds of haron s wandelaar, an album exploring his long-term interest in music s talent for inducing and affecting dreams, successfully turning listening into an act of transport, leaving you in the midst of falling asleep, at a junction of dislocation, hazily arriving in a liminal world. in wandelaar we hear haron s playful reaction against the confines of dance music, gathering energy from his estrangement from the scene and using it as a means to reorder and interrogate sound. the modest piano takes centre stage, allowing each solo note to becoming fertile and full, suspended and considered, guided by the principles of minimal composers such as john cage and ryuichi sakamoto. haron delicately translates sparse chords into a cinematic narrative of ascension, conjuring up a moony landscape, grey and desolate from afar, intricately detailed on approach. haron s wandelaar is available 6 july 2018 on lp. the vinyl release includes an art print by fallon does, who is also responsible for the graphic design of wandelaar. all tracks written and produced by haron aumaj, mastered by wouter for brandenburg mastering. words by jo kali.

schatzi returns with its fourth chapter! as with those that preceded it, this one s a vinyl-only 12- of... indeterminate provenance. behind every schatzi ditty is a dash of homespun crate-digging mischief, a dollop of crunchy, swinging drum loops, and a determination to inject into the tropes of today the carefree heart and funky soul that made the dance music of decades past feel so alive. a royal flush of raw, untamed disco that desperately wants off this slab of wax and onto fogged-out dance floors and into strobe-lit basements. vinyl-only hand-stamped release. get it before it s gone

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. what better to kick off this series of essentials than dj pierre s 1991 wild pitch mix of the mighty photon inc s anthemic generate power , a record that still smashes dance-floors across the globe to this very day, a true house classic that is the perfect opener for this new series. backed by george morel s equally influential and funky 1993 proto-uk garage groover let s groove you can see the quality control is set to high. back to back, strictly classics, nothing more, nothing less! remastered with love by optimal mastering, bristol from original master sources. made in conjunction with strictly rhythm 2018.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. the second instalment of this essential repress series sees the amazing bass tone from sole fusion (aka louie vega) take up side a. it s a truly deep slice of that nyc grit that works on every level, the rough with the smooth, trademark vega-isms and those drums! a sure-shot. on the flip is yet another gem - hardrive s just believe which is certainly a knowing nod back to the disco days delivered with gusto by louie vega and the maestro tony humphries. do not sleep on this, over 10 mins of that funk!

carioca dj and producer joutro mundo digs deep and delivers a stunning collection of reworks on this first release on his own label, outra. influenced by the melodic sounds of the amazonian jungle and the explosive carnival rhythms of his hometown rio, you can feel his devotion to the diverse music of brazil, which he now shares with you on the dance floor. valeu!

the second outing from lisbon based percebes mu&#769,,sica comes from ka§par, a respected portuguese author who consistently releases on many revered deeper dance music imprints. the “epicurismo” ep is a fresh and well humored record, conceived as an homage to the greek philosopher epicurus, who widely professed a personal mantra for happiness.

500 hand-sprayed, recycled sleeve copies (each individual) - first come first served... field of dreams hark back to early 90 s cross-pollination / indie-dance sounds with a heavyweight proto prog banger, already causing much mayhem.
mind fair and sir andrew weatherall are drafted in to flesh out the beast within, and do so with aplomb...

the checkup & deeleegenz, legendary belgian production duo, are back with another instant house classic. with multiple traxsource #1 house releases on labels including peppermint jam, toolroom, defected, madhouse, simma black, large, and beef records, the checkup has made his mark with his signature sound that mixes soulful chicago house with uk garage elements. getting a dancefloor banger of a remix from johannes albert, label boss of frank music and co-founder of fine records, this ep is a true dj tool with each track being dance floor ready.

seriously dope 4 track disco edits ep. first up is jaz. the south carolina native is at the top of the disco edits game, with records out on universal cave, rotating souls, and passport to paradise. “the endť” is a 90bpm monster. easily suited for lovers of balearic, one of those rare slow tracks that can really rock a dance floor. the patchouli brothers are up and comers from toronto, with a 12” on basic fingers, “cheat, lie, kill, dieť” is a mid tempo stomper. a versatile track easily blended with disco or house, and a hook so catchy, crowds are singing along before the end of the track. will martin opens up the b-side with pure fire. “rock me again” is the transformation of a 2 minute james brown production into 7 and a half minutes of dance floor ecstasy. martin is known for lo-fi house, with releases on 2mr, dolly, argot, and supply records. studebaker hawk closes us out with the b-boy jam, “say africa”. breaks for days, and even a heavy guitar solo. this track is for lovers of deep disco, classic hip hop, and afrobeat. limited run so don t sleep on this one!

the 2017 remix and rebuild of one of drum and bass biggest dance floor anthems ever. babylon. dj future has delivered an absolute tearing remake of this all time legendary track and brought the original classic into the 21st century. with andy c, randall, uncle duggs, ray keith and many more playing it across the world at many of the major festivals the demand has never been stronger for the juice to start flowing again. for the original heads that loved the original you are in for a treat as bladreunner has pieced the original masterpiece together and rebuilt it piece by piece and it sounds stunning. an absolutely essential piece of drum and bass history revisited.

the second release on werk is signed by j. manuel. the young producer has been polishing his sound ever since he first started experimenting with electronic music gear as a child. his commitment to following his own instincts rather than conforming to what was being played around him resulted in a very different aesthetic to the one commonly associated with berlin techno. drive fiction ep stands proof of that. all 3 tracks push boundaries in their own style, that being perhaps the strongest link between them. the title track -drive fiction- presents old-school leads over broken beats and electro inspired pads while the a2 -falling in sine circulation- is arguably the most dance floor oriented track, with a pounding 4×4 kick drum and an alarming 3/4 sine wave slaying the high frequencies. closing the ep is b-side -softer-, a melodic track with long, undulating pads that is nonetheless driven by a powerful rave-inspired beat. with its second release, werk comes to confirm the path it seeks to travel through both parties and releases: that of the sounds less rigid. gritty, wild and presenting a wide range of rhythmic patterns, drive fiction ep is a defying record. challenge accepted?

giant swan are debuting on mannequin records through the death of the machines serie, the dancefloor/experimental oriented side of the label, dedicated to new artists. robin stewart & harry wright team up to create an acerbic marriage of energised, aggressive dance music, quaking bass and hypnotic electronic noise. across a table of machines and pedals, incorporating abused guitar and liberal vocal manipulation, giant swan create a cross-breed of hypnotic bass, industrial percussion and disorientating energy delivered with telepathic intricacy.

ltd to 300 , gen ludd are glasgow-based rich mcmaster (golden teacher, modern institute) and tom marshallsay, both of whom are a big part of the extended rubadub family. their music perfectly embodies the rubadub ethos of music for heads and feet. after months of negotiations with our minister of finance hillington west snr, tafknagl (that artists formerly known as general ludd) return with four precise cuts of pure rhythm and motion. these tracks are a message to the ramona-toting, gymnasium-powered international dance deejay. please be bold enough to play them... you’ll make the world a better place. we’ll give you free wavs too

we are happy to introduce a new release and a new project from ben vedren and chez damier, a new collaboration that has been in the making for some time now. side aa1 presents a unique sound in its vibe, kind of a minimal track. the french discussion/vocal in the background adds another dimension. you don t need to speak the language to understand what s going on, but you must wonder at some point: do i understand french or is it the music that made me understand them? an -organ- sound intervenes towards the end bringing power and light to the hall. it s eleven minutes of pure music! while -aa- is composed of two different remixes of a different track, -berlin nights in paris- it can probably be called the house anthem. it starts strong with some acid sound and is filled with a lot of wonderful elements. like a gourmet meal, you wonder if the track shouldn t have been at least three times longer to satisfy the gluttony of the listen. the techno remixes of the track. it s a perfect example of detroit meets house. techno track can, with no doubt, feed and drive the dance floor. no need for more than five words to describe it – it s a serious techno track.

balance records is happy to release -paul cut- while no stranger to the french scene paul is one of the up and coming dj/producers out of paris. this release finds it roots in jazz (chicago /paris?). a1 starts with some heavy beats, which later combined with the other elements can bring the madness to any dance floor. side , a2 brings another kind of madness which shakes you from inside like heated particles with its jazzy vibes. b2 heats you in a subtly way, when you expecting it the least with background sounds inspired from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves. b1 will draw anyone inner energy with its piano. it s a great track to lead to the end of the night or even closing. for the love birds and the loners on the dance floor. b2 heats you in a subtly way when you expecting it the least with background sounds borrowed from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves.

with 2018 marking a quarter of a century for positiva being at the summit of the dance industry, the label have enlisted the work of both paul morrell, and latroit, to sprinkle modern magic on the timeless record. british producer and xxl resident dj paul morrell laces his own mix with euphoric, high-tempo chords and a floorfilling breakdown, a stark contrast to the deeper, gritty interpretation offered by 2018 grammy award winning american producer and composer, latroit, who added: - as the rush comes was obviously one of the stand-out tracks of the decade, and it was amazing to get my hands on that vocal. i ve also known dave dresden (one third of motorcycle) for years before this came out and it was great to reconnect and finally work with him creatively after all this time. the vinyl features 3 remixes of as the rush comes by latroit, paul morrell and dash berlin.

additional 12- with previously unreleased material from pablos eye. six tracker bardo for pablo ventures deep into the tribal side of axel libeert. right on time for all your summer dance gatherings. bardo is the state of existence intermediate between two lives on earth. it is an intermediate, transitional, or liminal state between death and rebirth.

who doesnt know m.i.k.e. push? the legendary track universal nation won several dance awards, and is recognized as one of the classic dance-records of the trance era until this day. this together we rule the world-12 premieres 4 album tracks to heat up your summer, exclusively on vinyl. or as mike calls it: #backtobasics !

second release of the new sub label from politics of dancing records, p.o.d cross, featuring label boys politics of dancing and their homies, d julz and oleg poliakov. another serious dance floor friendly 2 tracker cut for djs.

johannes albert is a producer as diverse as they come. comfortable across all sub genres of dance music from deep house to italo disco, in italy they call him giovanni alberto. hes been praised by the likes bicep, gerd janson, lauer and the keinemusik crew, and he’s only just getting started. the dancing plague ep is summer music for summer people. opening with the hefty, wonky basslines of the club ready, tpts. gravy train is a combination of grooving bass-lines and disco drums, the end result is a solid dancefloor stomper. the uniquely titled pachanga follows, abundant with nu disco and italo references. this is a real summer track, as the sun sets in the city ahead of a huge party, the one that will entice the shyest of dancers to move. keeping with the off the cuff track names, the ep finishes with the dusty, sun tinged rainbow pan. over the past ten years the needwant mantra has been to push the very best in new talent, having provided the platform for the likes of kiwi, the mekanism, maxxi soundsystem, the revenge and many more.

some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. on this release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s brazil - the tracks are picked by millos kaiser, one half of the brazilian duo selvagem, who are at the helm of throwing some of the country’s best dance parties. it’s a rare compilation that offers brazilian music actually picked by a brazilian.
this collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. they are the sort you’d find for a few quid should you come across but, as kaiser says, “the problem is finding them. they aren’t rare because everyone wants a copy but because no one wants them, not even the dealers.”

forging a distinctive sound in todays crowded techno landscape is no easy task. madrid based mario campos aka kwartz has grown his robust, propulsive sound into one of the most interesting and vital strains of modern techno. after notable releases for mord, warm up, pole recordings, and his own label ‘order & devotion’, we are excited to present a 6 track kwartz offering for horo.
purists will have their desires satiated with the driving, undulating title track and dancefloor favourite ’altered states of consciousness’ while the rest of the ep sees mario take his style into exploration mode. ‘beyond belief’ functions as an emotive centre point to the releases’ varied moods, while the off kilter static of ‘over a sign recognition’ and the writhing bounce of ‘recoil’ and ’frame dislocation’ complete the carefully sculpted form of the release.
‘body sedation’ works in a listening environment as well as it does on an open minded dance floor, and we can confidently say, it’s built to last.

1 copy per customer!! everybody s favourite parisian party fiends are back, polishing up another batch of patchy pound bin finds and not-on-discogs delights for your next summer soirée. putting their orange-eagle eyes to good use, the lyo crew have trawled the crates of europe and beyond for this sunkissed set, working the scalpel to the max to pack the dancefloor in arms aloft ecstasy. our party starts with the kwaito groove of -avidiyo--, a killer bit of late 80 s afro-action boasting synth marimba, alien bass blasts and life affirming vocal chants. not only is this cut moving in the ants-in-your-pants/dancing-like-a-madman sense, but its sting-on-safari emotion and clarinet solo could bring a tear to a glass eye. cartwheeling between aspirational jazz-funk and afro-cosmic, yanga mbiwaa makes its way to the heart of the party like a bewildered parisian at an ivorian wedding. as tumbling toms rumble like thunder on the serengeti, an oddball exotica chant encourages the nearby wildlife to shake a tail-feather to the club tropicana guitars and buzzing synthbass. at last you have something to keep quantum jump s lone ranger company! last but not least comes autoradio , a very well mannered monsieur living the french highlife by the sea and sun of the mediterranean coast. effervescent afrobeat guitars and swooning sax dance over a rolling rhythm section of buoyant bass and 80s percussion, while a spoken vocal drawls in your direction and the girls ask if you re ok. it s only when the pinging, ringing, madly modulated bass breakdown bounds through your surroundings that you ll wonder who slipped what in your drink...

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

in 1982, a group of friends deep into post-punk, jazz and dub got together in mad professors studio and lay down their youthful interpretation of a nyc disco cut. their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. they called the song trouble and released two versions (vocal and dub) on their friend tony mcdermott s !drum! label with artwork inspired by russian constructivism. tip! . the group, comprised of justin langlands, chrysta jones, john schofield, tom dixon, and dave killen, decided to call themselves a-team, having no idea that mr.t and co. would make them almost totally ungoogle-able 30 years later. the result of their adolescent studio idealism sounds akin to otherdisco misfits like arthur russell, maximum joy, talking drums and wouldn t sound out of place on legendary nyc label 99 records. remastered with an extended club dub formaximum dance-floor action.

new year, new release for burnin music. after 2 strong eps in 2017 (ponty mython bm001 and leonidas +kay suzuki bm002) burnin music first release of 2018 features the first ep of an up-and-coming british artist called michael iwatsu also featuring a remix by german producer, soulphiction. fracture (original mix) is a 10 mins long journey. a beautiful odyssey between beats and harmony, between intuitive dance floor and subtle emotions. the main piano brings a perfect balance to the stomping house kick & drum. and as the journey continues, the trip develops leading to more sonic ventures. exciting, touching, pure, fracture (original mix) is a very balanced track. on the flip side, house music master soulphiction accomplishes the task to bring the track into a dark basement. his remix is a condensed version of everything that makes the original track an emotional one and also add a detroit twist: it becomes a raw, moody and very intuitive sonic object. a tool for the dancefloor.

what should have been a quick process has taken a bit longer than we hoped, but thats the way of handcrafted products, be they ginger beer or sourdough bread, and like the bread, the vinyl is currently cooling down to ensure an undisturbed, top quality product. np004 contains two tracks, cunningly devised in yorkshire, reflecting the area s no nonsense attitude and warmth. the final touches of mastering, have been added once again by the highly trained ears of moog expert dr spaventi. this continues to give us a very important international dimension to what is still a local artisanal product. specially formulated to make you dance and give you something a little extra, we ve switched to stealth black paper sleeves for this release, and where cutting engineer failed with inscriptions, as can be their wont, we ve lovingly re-designed the label to incorporate details of the free gift we re providing

we are very proud frankey&sandrino are back.
two first class hypnotic dance floor weapons. unnecessary to say bla bla bla…

after recently playing host to established names such as fabe, nima gorji and michael james, pathway traxx returns to its roots by introducing a new artist, but long time friend wiremu. this pure club record, and vocal infused ep is set to light up a dance floor near you very soon. wiremu brings his unique chugging sound by the bucket load while label boss niko keeps it smooth on the b-side.

the fat chemical brothers album >we are the night< !!

for the 12th installment of jose cabrera’s self-titled imprint, mario castillo appears under his long running kastil moniker to deliver a four track ep of mechanical dance floor sounds. with anemic lust, the resident of vitoria-gasteiz, comes up with a worthy addition to his rapidly growing discography. after a period of diy work through his own label stale, castillo returns to the imprint where he last released his collaboration album with j.c. in 2017.

the third release of weorus comes with four massive tracks perfectly delivered by talented maurice giovannini and remixed by cocoon’s rising star dana ruh. the ep enter with “orange”, a mystically track perfect matched with the label concept of timeless music. dana ruh on a2 gives the perfect energy for a fully crowded dance floor, maintaining the spiritual feeling in the background, just a perfect interpretation. “plasma” for maurice is the tune that truly can make you go on a higher level, the structure, the sound design and feeling are deeply matched together for a nice and warm b1 start. “bunka” ends the ep in a perfect way giving you the need to reloop the entire ep. maurice again hits with a perfect vinyl already supported by ricardo villalobos, rhadoo and many others.

montreal’s minimal techno veteran pheek offers up a milestone vinyl release for the onset of this spring season. lumo ep offers four vibrant dance-floor compositions, each delving into its own labyrinthine mindscape, leaving no stones unturned in an ethereal garden of listening. lumo invites us into exotic, sprawling atmospheres- crafted with excessive care and the unmistakable studio-finesse that pheek has become known for. lovers of drums will be assured troves of bass-heavy, broken-beats and skittering, jazz-infused patterns which delicately tease and tantalize as they appear and flicker out. seasoned prowess in sound-design allows pheek to convey eerie, forgotten landscapes with periodic, lushly rising elements to bath the listener in unexpected lightness and thrilling serenity. lumo will surely tantalize even seasoned listeners as it melts heavily saturated layers of depth over unexpected arrangements. the result is a stunning interaction at the crossroads of minimal house and techno, nudging the listener toward sturdy grooves while simultaneously introducing new pathways on the way to ever-increasing depth.